Close Menu
    What's Hot

    Roisin Quinn – The Shame (Single) + 10 Questions)

    May 24, 2026

    I know he would be into this. Jack Osbourne responds to criticism of Ozzy AI avatar plan

    May 23, 2026

    The Moshville Times – Festival Review: DesertFest London 2026 – various venues in Camden Town, London (15th – 17th May 2026)

    May 23, 2026
    Facebook X (Twitter) Instagram
    smashhitsmusicmagazine.com
    • Home
    • ALTERNATIVE
    • R&B
    • HIP HOP
    • METAL
    • POP
    • ROCK
    • COUNTRY
    • MOVIES
    • CONTACT
      • LEGAL STUFF
    smashhitsmusicmagazine.com
    Home»POP»Dub Maps: A Film by Howard Walmsley – Film Review
    POP

    Dub Maps: A Film by Howard Walmsley – Film Review

    AdminBy AdminMay 16, 2026
    Share Facebook Twitter Pinterest LinkedIn
    Dub Maps: A Film by Howard Walmsley – Film Review
    Share
    Facebook Twitter LinkedIn Pinterest


    Dub Maps: A Film by Howard Walmsley – Film ReviewDub Maps: A Film by Howard Walmsley
    International Anthony Burgess Foundation, Manchester
    14th May 2026

    Dedicated to Malcolm Whitehead, the former head of Ikon/FCL, the film making arm of Factory Records who passed away in 2019, Dub Maps features Cathy Brooks and Mark Hoyle from Dub Sex telling stories and searching for the ghosts beneath the new Hulme.

    On paper, Dub Maps possibly shouldn’t work. Although a simple-ish premise, there is so much condensed into its 30-minute duration it could be overpowering. The fact it does work and doesn’t overcome can be credited to the expertise of the acclaimed film-maker Howard Walmsley, an early member of the Manchester Film and Video Workshop at the end of the ’70s and later Hacienda camera operator and music video director for Ikon. In many ways, Dub Maps, which uses IKON footage found only after Whiteheads passing, can rightly regarded as the last Factory/IKON film.

    The film has many ingredients, all of which intersect and are juxtaposed throughout. At its core, it’s the story of Mark Hoyle and his search for his identity and the story of his band Dub Sex, but equally it’s a history lesson, looking at the area of Hulme, the past and present from today’s perspective with one eye on the future. Hulme will be known to many mainly for ‘The Crescents’, which are also central to this film, but the area is so much more. It’s an area demolished during the post-War era as part of the slum clearance policy, rebuilt in the 1960s and then demolished and rebuilt over the last decade of the 20th century, on each occasion much of what was there before being lost forever.

    There are occasional visual interludes which include Mark Hoyle mapping the Hulme of the 1980s with boxes and marking the roads with a white brush roller. Although these sections are short, they did offer me a sense of nostalgia, and a wish that I could revisit the area as it was once more.

    The recently-captured footage, including that of Mark and Cathy retracing their steps trying to remember where buildings or streets once stood, puts things into context which mixes effortlessly with the ‘low budget’ video recordings of 1980s Manchester; footage that still feels so familiar and to many will seem like yesterday. As mentioned, this is also the story of Dub Sex and. as well of the streets of Manchester, there is footage of the band in the studio and powerful live performances recorded at The Greyhound, Fulham and Manchester’s Boardwalk with several key tracks featured, including Caved In and Swerve.

    Highly recommended for those with an interest in Manchester music and culture.

    Dub Maps is scheduled to be shown again at the M15 on Screen evening on Friday 22nd May at Niamos along with a series of Hulme Shorts, featuring photographer Richard Davis, VJ Decoder, poet Lemn Sissay, and Mark Hoyle’s son, Syd Far-I, to name a few.

    Dub Maps: A Film by Howard Walmsley – Film Review

    ~

    All words by Iain Key. See his author profile here or find him via his LinkTree

    A Plea From Louder Than War

    Louder Than War is run by a small but dedicated independent team, and we rely on the small amount of money we generate to keep the site running smoothly. Any money we do get is not lining the pockets of oligarchs or mad-cap billionaires dictating what our journalists are allowed to think and write, or hungry shareholders. We know times are tough, and we want to continue bringing you news on the most interesting releases, the latest gigs and anything else that tickles our fancy. We are not driven by profit, just pure enthusiasm for a scene that each and every one of us is passionate about.

    To us, music and culture are eveything, without them, our very souls shrivel and die. We do not charge artists for the exposure we give them and to many, what we do is absolutely vital. Subscribing to one of our paid tiers takes just a minute, and each sign-up makes a huge impact, helping to keep the flame of independent music burning! Please click the button below to help.

    John Robb – Editor in Chief

    PLEASE SUBSCRIBE TO LTW

    View Original Article Here

    Share. Facebook Twitter Pinterest LinkedIn
    Previous ArticleAnthraxs Scott Ian on KISS, AC/DC, Metallica and whats on his bucket list
    Next Article The Moshville Times – Album Review: The Virginmarys – Beyond the House of Fires

    Related Posts

    Hue And Cry

    May 23, 2026

    ABSOLUTE LILT Bring Irish Lilting Into Modern Focus On P Stands For Paddy

    May 23, 2026

    Thin Lear: Many Disappeared – Album Review

    May 22, 2026

    Loome Sharpens His Self-Made Alt-Pop Identity With YOUFORIA

    May 22, 2026
    LATEST POSTS

    Roisin Quinn – The Shame (Single) + 10 Questions)

    May 24, 2026

    I know he would be into this. Jack Osbourne responds to criticism of Ozzy AI avatar plan

    May 23, 2026

    The Moshville Times – Festival Review: DesertFest London 2026 – various venues in Camden Town, London (15th – 17th May 2026)

    May 23, 2026

    Hue And Cry

    May 23, 2026

    Exclusive Southend Film Festival interview with Doggerland: The Dead & The Lonely Co-Writer-Director Adam McHattie • Blazing Minds

    May 23, 2026

    Kojey Radical @ The Royal Albert Hall (20.05.26)

    May 23, 2026

    ABSOLUTE LILT Bring Irish Lilting Into Modern Focus On P Stands For Paddy

    May 23, 2026
    Archives
    Our Picks

    Roisin Quinn – The Shame (Single) + 10 Questions)

    May 24, 2026

    I know he would be into this. Jack Osbourne responds to criticism of Ozzy AI avatar plan

    May 23, 2026

    The Moshville Times – Festival Review: DesertFest London 2026 – various venues in Camden Town, London (15th – 17th May 2026)

    May 23, 2026
    About Us

    Welcome to Smash Hits Music Magazine — the home of everything music. Whether you live for the rush of a new album drop, the thrill of breaking artist news, or the deep stories behind your favourite songs, you've found your people. We cover every corner of the music world, from mainstream chart-toppers to underground gems, hip-hop to heavy metal, pop to classical and everything in between.

    Our passionate team of writers brings you the latest news, reviews, interviews, and industry insights — fresh every day. Pull up a seat, turn up the volume, and let's talk music. You belong here.

    © 2026 Smash Hits Music Magazine. All rights reserved. All articles, images, product names, logos, and brands are property of their respective owners. All company, product and service names used in this website are for identification purposes only. Use of these names, logos, and brands does not imply endorsement unless specified. By using this site, you agree to the Terms & Conditions and Privacy Policy.

    Type above and press Enter to search. Press Esc to cancel.

    We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.