Close Menu
    What's Hot

    ALBUM SALES (week 23, 2026): Latto, Drake, Drake, Don Toliver & more!

    June 5, 2026

    Electric Callboy and The Offspring link up for zany new single Let The Good Times Roll

    June 5, 2026

    Valeria Miró – Guilty (Single)

    June 5, 2026
    Facebook X (Twitter) Instagram
    smashhitsmusicmagazine.com
    • Home
    • ALTERNATIVE
    • R&B
    • HIP HOP
    • METAL
    • POP
    • ROCK
    • COUNTRY
    • MOVIES
    • CONTACT
      • LEGAL STUFF
    smashhitsmusicmagazine.com
    Home»POP»Texas Is the Reason: Academy 3, Manchester – Live Review
    POP

    Texas Is the Reason: Academy 3, Manchester – Live Review

    AdminBy AdminJune 2, 2026
    Share Facebook Twitter Pinterest LinkedIn
    Texas Is the Reason: Academy 3, Manchester – Live Review
    Share
    Facebook Twitter LinkedIn Pinterest


    Texas Is the Reason: Academy 3, Manchester – Live ReviewTexas Is the Reason | Jamie Lenman
    Academy 3, Manchester
    31st May 2026

    The lost heroes of nineties emo return to the site of one of their greatest triumphs for one more run down memory lane.

    The last time Texas Is the Reason played Manchester really was supposed to be the last time. The term emo is often thrown around too lightly these days , but back at that gig, in August of 2013, the years were already brimming in frontman Garrett Klahn’s eyes when he took the stage, let alone when he left it. That was the penultimate show of their farewell tour, the following night’s London appearance intended to be their last performance. Bar a couple of fundraisers for friends in need, the New Yorkers had stuck to that ever since – until now.

    Which begs the question of what changes for them to announce a surprise reunion tour for 2026 – albeit without founding guitarist Norman Brannon, who’s replaced by long-time friend of the band John Herguth. It is not that the band have had an unlikely TikTok breakout in the intervening years, and in fact this show has been downgraded from Academy 2 to a still-not-quite-full Academy 3, the same room they played that last show in thirteen years ago. The absence of Brannon also casts a little bit of a pall over proceedings; in an emotional social media post, he explained that to rejoin the group now would be to reopen old wounds, given the trauma he felt as a closeted gay man in an inhospitable nineties punk scene.

    Texas Is the Reason: Academy 3, Manchester – Live ReviewSo, why now? The answer is in the songs. Remarkably for a band so cherished and influential, Texas Is the Reason’s back catalogue comprises just fifteen songs; sixteen, if you include the alternate version of Something to Forget. They left a major label deal on the table in 1995, breaking up just as they looked on the cusp of the big leagues, and whilst they have probably gone on to question the financial wisdom of that decision at different points in their lives, the artistic legacy it leaves is a perfect one.

    In support is Jamie Lehman, the former frontman of Reuben whose solo work has been so multi-faceted that the idea of him playing acoustic should be absurd. It somehow works, though, with the different stylistic threads he weaves through his songs coming together into nearly an impassioned, singular set.

    Texas Is the Reason: Academy 3, Manchester – Live Review
    Jamie Lenman

    Then, Texas; the instrumental title track to their one and only album, Do You Know Who You Are?, plays over the speakers as Texas is the Reason take to the stage, its melodic guitar line instantly transporting the room back to a particular moment in emo history – it is a symphony in yearning, in longing. What actually set Texas apart, though, was the way they imbued the emo palette with post-hardcore leanings; the opening salvo tonight, which includes If It’s Here When We Get Back, It’s Ours, The Magic Bullet Theory and Blue Boy, sets the tone – punchy, effervescent tracks inflected with the punk that the band grew up with. Album opener Johnny on the Spot, meanwhile, is reinvented here to include the first verse of The Stone Roses’ Waterfall.

    They rip through the songs at pace, but frankly there is no other way they could. There’s no way the band could ever phone these songs in; they demand every last drop of feeling out of those performing, and especially Klahn, who is on typically impassioned form. The lyrics he wrote as an angsty twenty-something still resonate on a universal level today, something helped by the fact that Texas were such masters of the push-and-pull between melodic guitars and anthemic choruses, something especially apparent on Dressing Cold and The Day’s Refrain. Klahn dedicates the soaring A Jack with One Eye to “anybody who’s ever lost somebody”, but it’s perhaps Antique, from the band’s self-titled 1995 EP, that’s the true set highlight; it is everything good about the band in microcosm, broiling with nervous energy and palpable heartbreak.

    Texas Is the Reason: Academy 3, Manchester – Live ReviewThe show does not live up to the searingly emotional standards of their 2013 visit; how could it, given the stakes aren’t as high? Instead, this is a celebration of a body of work that is slender in volume and monumental in influence. On ‘Nickel Wound’, Klahn sings “it’s days like this that keep me alive.” That’s reason enough for Texas to be back.

    ~

    Texas Is the Reason can be found at theirFacebook|Instagram|website.

    They play Glasgow on June 2nd and Dublin on June 3rd

    Words byJoe Goggins: find him on Xhere

    Photos byTattianna Tibbetts|Instagram

    A Plea From Louder Than War

    Louder Than War is run by a small but dedicated independent team, and we rely on the small amount of money we generate to keep the site running smoothly. Any money we do get is not lining the pockets of oligarchs or mad-cap billionaires dictating what our journalists are allowed to think and write, or hungry shareholders. We know times are tough, and we want to continue bringing you news on the most interesting releases, the latest gigs and anything else that tickles our fancy. We are not driven by profit, just pure enthusiasm for a scene that each and every one of us is passionate about.

    To us, music and culture are eveything, without them, our very souls shrivel and die. We do not charge artists for the exposure we give them and to many, what we do is absolutely vital. Subscribing to one of our paid tiers takes just a minute, and each sign-up makes a huge impact, helping to keep the flame of independent music burning! Please click the button below to help.

    John Robb – Editor in Chief

    PLEASE SUBSCRIBE TO LTW

    View Original Article Here

    Share. Facebook Twitter Pinterest LinkedIn
    Previous ArticlePeople heard it and found it deeply offensive because they didnt have the brain capacity to realise what its about. The story behind Ghosts most famous song – and what it really means
    Next Article There is this emotional horizon that looks like a cityscape. Some buildings house happy memories. Others do not: Inside Death Cab For Cutie's vulnerable new album

    Related Posts

    Lovejoy: Against The Tide Single Review and album announcement

    June 5, 2026

    hazy waters Chase Fleeting Connection On Shoegaze-Indie Single high

    June 5, 2026

    Slift: Fantasia – Album Review

    June 4, 2026

    Fyne Audio Brings IsoFlare Loudspeaker Range To High End Vienna 2026

    June 4, 2026
    LATEST POSTS

    ALBUM SALES (week 23, 2026): Latto, Drake, Drake, Don Toliver & more!

    June 5, 2026

    Electric Callboy and The Offspring link up for zany new single Let The Good Times Roll

    June 5, 2026

    Valeria Miró – Guilty (Single)

    June 5, 2026

    Something for the weekend: Heres to Bob Harris

    June 5, 2026

    Lovejoy: Against The Tide Single Review and album announcement

    June 5, 2026

    We smoked so much weed that we set off the fire alarms and almost killed everybody with the gas that was going to be released. The story of Machine Heads Burn My Eyes, the debut album that revitalised 90s metal

    June 5, 2026

    Jason Stathams 13 Greatest Fight Scenes, Ranked

    June 5, 2026
    Archives
    Our Picks

    ALBUM SALES (week 23, 2026): Latto, Drake, Drake, Don Toliver & more!

    June 5, 2026

    Electric Callboy and The Offspring link up for zany new single Let The Good Times Roll

    June 5, 2026

    Valeria Miró – Guilty (Single)

    June 5, 2026
    About Us

    Welcome to Smash Hits Music Magazine — the home of everything music. Whether you live for the rush of a new album drop, the thrill of breaking artist news, or the deep stories behind your favourite songs, you've found your people. We cover every corner of the music world, from mainstream chart-toppers to underground gems, hip-hop to heavy metal, pop to classical and everything in between.

    Our passionate team of writers brings you the latest news, reviews, interviews, and industry insights — fresh every day. Pull up a seat, turn up the volume, and let's talk music. You belong here.

    © 2026 Smash Hits Music Magazine. All rights reserved. All articles, images, product names, logos, and brands are property of their respective owners. All company, product and service names used in this website are for identification purposes only. Use of these names, logos, and brands does not imply endorsement unless specified. By using this site, you agree to the Terms & Conditions and Privacy Policy.

    Type above and press Enter to search. Press Esc to cancel.

    We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.